No More URLs!

japan-advertising-keywords

There’s a rather interesting observation by Cabel in Japanese advertisement panels – many of them have decided to abandon showing the URL, but instead recommending the keywords to search for. Keywords are probably shorter and more directly relevant to the promoted products, and it could also be more wieldy especially for a nation where some are perhaps still less familiar with the Roman alphabets. I suppose the advertisers would have to be really good in making sure their sites are the top returns in search engines.

Cabel also has an interesting question:

But, I ask you: could this be done in the USA? Wouldn’t search spammers and/or “optimizers” ruin this within seconds? I did a few tests with major name brands and they’re almost always the top hit on Google (surprisingly, even Panic). But if Nabisco ran a nationwide ad campaign for a hot new product and told users to Google for “Burlap Thins” to learn more, wouldn’t someone sneaky get there before they do?

Creating Value of out Thin Air (or Rubber Bands)

Stanford has an ‘Entrepreneurship Week’ with a rather interesting ‘Innovation Tournament’.  A mundane object (this year’s being the rubber band) is the theme for groups to innovate and create value upon:

The 2008 Innovation Tournament is open to teams of Stanford students, as well as students around the world. Teams can be of any size. Your challenge is to create as much value as possible using rubber bands. You can use as many as you want, of any size, shape, or color. Value can be measured on any scale you choose. Remember, value comes from actually implementing your ideas and delivering results. To be successful, challenge assumptions, seize opportunities, be creative, and Make it Happen!

This, I guess is probably really the equivalent of the common ‘drop-an-egg-from-a-certain-height’ assignment that many design/engineering students get. With the minimal of materials (and usually time), teams have to be really creative, innovate and in this case, get the most amount of value (money?). Here’s the video of the winning team, who effectively leveraged the visuals of an bigger-and-bigger rubberband ball as a focal point in their donation appeal, and subsequently trying to harness the internet viral effect.

Would you’ve been able to pull off something like this (or even better!)? For good measures too, they did it in 24 hours.

PS:

I quite like the prizes in this competition too. In most university efforts, what you’d probably get is maybe a certain budget, with the top prizes invariably some variant of iPod or some other ‘young hip thing‘. An object of desire of some sort – easily dealt with. But for this tournament, all of these are experiences that you can’t buy (in part with the sponsorship from Deloitte) – “A day of sailing on the San Francisco Bay on a 36′ yacht provided and skippered by Club Nautique; Meet Deloitte’s Global leaders, hear Al Gore speak in person, and enjoy cocktails and dinner at Deloitte’s World Meeting at Stanford University; Box seats to Sharks game – Donated by Deloitte, etc”.

I’m sure Deloitte et al could’ve have it much ‘easier’ by signing a cheque for a certain amount to buy prizes – but putting effort into creating experiences and meeting the winners shows some measure of sincerity. Plus it’s a win-win situation for both parties – for the experienced directors to meet with the young upcomings – I’m sure the exchange would be both much more fruitful and remembered.

Muscle Cars had a Childhood

baby-car-logos

Cant help but to have a wide grin seeing these adorable icons getting ‘kiddie-fied’ (Minichamps is a scale-model car seller). It’d be really interesting if the cars themselves can get kiddie-fied and yet still retain the iconic DNAs of the respective marques. Any designers keen on taking this challenge?

Happy 50, Peace Symbol

peace-symbol

Did you know this was how the peace symbol (as a graphic element) was born?

 Gerald Holtom, a designer and former World War II conscientious objector from West London, persuaded DAC [Direct Action Committee Against Nuclear War] that their aims would have greater impact if they were conveyed in a visual image. The “Ban the Bomb” symbol was born.

He considered using a Christian cross motif but, instead, settled on using letters from the semaphore – or flag-signalling – alphabet, super-imposing N (uclear) on D (isarmament) and placing them within a circle symbolising Earth.

KDDI au concept phones

The KDDI au design project is probably a favorite among many industrial designers and phone designers. Japan’s phone technology is certainly world-leading – this is fortunately paired by KDDI’s commitment to explore the forefront in the design side as well. Many design luminaries were engaged to envision what could mobile phone really be, resulting in many breath-taking concept phones, with quite a good percentage going into mass-production (such as the Infobar by Naoto Fukasawa, the Mediaskin by Tokujin Yoshioka, Talby by Marc Newson etc).

I’m not sure if I’m late to the party, but I just came across these three new(ish?) phone prototypes – the latest in the series.

kddi-sorato-prototype

Even though there are English descriptions, the really poetic nature of the descriptions for the Sorato can only leave me guessing at its intention (I have absolutely no qualms about its product design though). The Sorato – “use this phone to reach up and touch the sky, and feel the present moment in your hand” – if I guess correctly, the phone’s outer skin morphs according to the environment around it, much like how a chameleon blends into the surrounding. The crystal clear and yet soft object becomes like a drop of rain on the car windshield, capturing the poetry of the environment into itself.

kddi-hitoka-prototype

In the Hitoka concept, the typically tech-centric phone interface is swapped for a much more emotive scene: think of it as having your own butler that lives in the world within your phone’s frame – “they are your friends, your assistants, your confidants, and even your alter egos. A little human touch adds even greater pleasure to communication”.

kddi-actface-prototype

Actface translates activity on your phone into a SimCity-like arena: “your town grow as you use the phone. Your town’s residents are the people in your address book. In your town, something is always happening”. It’s pretty interesting to see how the harvested information is translated into different developments of the town too – and in this way, everybody has their own truly customized, a unique digital fingerprint on their phones.

I’m not sure whether KDDI set a specific theme for this year’s exploration, or did the designers explore their own paths and coincided on a broad perspective – it does seem like there’s a focus towards the the software rather than hardware – on how the phone behaves; how the phone reacts emotionally and organically.

It’s no longer so much about the product design: the curves, surfaces and line of a technological product. Instead, you get a feeling that this is an emotional object, with a life and world of its own, that just happened to be a phone as well.  The designers are really designing the phones’ behaviors as much as the phones themselves.

What are the implications of designing behaviors be – what are the new challenges and opportunities as compared to designing products/artifacts?

WordPress in Flash

wordpress-in-flash

Number Eight Wired is a rather interesting experiment(?) – it adopts the very typical WordPress blog style, but implements it in Flash instead of the more typical CSS. You do get some bells-and-whistles that comes with Flash ( ability/control in animations and effects particularly) – the site do feel slick and polished. And you can use your favorite unique fonts without worrying that your viewer not having it (unlike in standard webpages).

For all the polish though, you’d (usually) have to sacrifice the much taken-for-granted things in webpages: ability to right click, deep-link to specific pages, save images off the web, etc (Note: these are in fact do-able even with Flash contents – it’s just that they’re not common).

Which would you prefer? Style vs usability (or is this actually a false dichotomy)?

Democratic Sheep Art

sheeps

The picture on the top may look like some indecipherable Matrix-like message from outer space, but if you look closely enough, they’re actually rather familiar (and harmless!) things – drawings of sheep facing the left side. That big, 10000-sheep artwork is known as ‘The Sheepmarket’.

The Sheepmarket is a really interesting experiment in art and harnessing the power of the masses.  Artist Aaron Koblin assembled an army of sheep by asking random strangers to each draw him one for $0.02, through Amazon’s labor distribution mechanism – The Mechanical Turk. Here’s the artist explaining the project:

With the project turning into printed books and exhibitions, I suppose this is proof that leveraged correctly, the sum is indeed more than its parts?

D/A Clock

da-clock

I am always rather intrigued when digital or virtual experiences are brought back into the physical realm of ‘things’ (‘thing‘ being, ‘stuff’, feelable, touchable stuff). From the popularity of ‘steampunk’ computers we see an almost desperate claw at turning our increasingly digital lives back into something more tangible, more crafty.

The D/A Clock is yet another example – converting a whole table-sized display of time in the classic LCD segments. What’s also interesting though is the purposefully slow transition from one digit to another. When I first saw the picture I thought the blocks would simply jerk up and down as it changes; the video however shows a much more subtle transition:

 This object plays on the common LED-display digital clock with physical segments that slowly fade in and out of a white surface. The D/A Clock introduces new characteristics to the digital mediation of time: a physical dimension and intermediate states – the time between 0 and 1.

I like that the designer Alvin Aronson noticed and chose to play-up this subtle difference. In the digital world of ’0′ and ’1′s, there are no intermediate states: it’s either one or the other. And when the clock is borne onto this full-sized, physical display, it drops its ‘digital’ properties and re-adopts the analog properties that this world operates in. Interesting thought.